
| My college dorm room with my ever present radio.
I am a
"radiophile." From my earliest memories I found the radio to be a
companion of choice. The sounds from faraway radio stations
intrigued
me and elicited a wanderlust that has never gone away. I compare
it to the lonesome 3 A.M. train whistle of the outward bound
locomotive.
As a kid and later an adult, I would listen to WWL "Way down yonder in
New
Orleans." WBZ in Boston and WCFL "The Voice Of Labor" in
Chicago.
WLS also in Chicago was an oasis. Of course the "Nation's
Station," WLW from Cincinnati was good.
WSM in Nashville as well as KDKA in Pittsburgh were
exciting. WOWO in Ft.
Wayne, Indiana was a rock Mecca. WRVA in Richmond Virginia and
nearby WWVA in Wheeling
West Virginia were good. There were others. From WLAC in
Nashville came the king! John R broadcast for Ernie's Record Mart
and, though white (we thought he was black), he introduced us to Blues
and R&B. He played Big Bill Broonzy, Howlin' Wolf, Muddy
Waters, Etta James, Chuck Berry and everyone else we weren't supposed
to hear. WLAC, 1510, was the king. The radio was my
treasure. It was news,
music, sports
and those good old radio serials! It was hearing a voice from a
faraway
place—a place I wanted to experience.
Oh, the radio serials! Gunsmoke, the Lone Ranger, Dragnet, Amos 'n' Andy, the Shadow, Keen—The Tracer Of Lost Persons, Johnny Dollar, Sergeant Preston Of The Yukon, and so many more. Radio serials required thought and imagination—items sorely missed among today's people. There was a ton of comedy. Burns and Allen, Jack Benny and Bob And Ray were excellent and there were others. There is no Lowell Thomas today—no one is even close. In his prime he was not alone...Walter Winchell "Good evening Mr and Mrs America, from border to border and coast to coast and all the ships at sea. Let's go to press." Edward R. Murrow, H.V. Kaltenborn, Eric Sevareid, Gabriel Heatter "Ah, there's good news tonight!" Today you only get tired diatribe from political hacks shilling for their political party—one long commercial—one long propaganda broadcast. There are some holdouts to quality. Garrison Keillor's A Prairie Home Companion would be classy in any generation. National Public Radio survives, informs, entertains and serves. Many University campuses feature radio stations of quality, variety and service (many relying on NPR.) Paul Harvey is a throwback to the great ones of the past. Jim Hightower is refreshing as is Jim Bohannon. A few radio stations still maintain balanced and fair standards. KGO in San Fransisco leads. While most kids in the 50's were into TV I stuck with the radio—NBC's Monitor on weekends followed by radio serials. During the week there was "Moon River" and Vespers From Mt. St. Mary's Seminary. Local guys on the radio—"Rolling Along" with Big Bill Albert and Jazz with Miles Foland. Stan Matlack and his "Magazine of the Air." The "Good Guys" at old WSAI in Cincinnati bring rock. WCPO brought its Summer Folk Festival in the 60's! WPFB had the new wave of rock in the late 50's! Sure I watched TV—The Alaskans, Gunsmoke, Cheyenne—that kind of stuff. Davy Crockett was King Of The Wild Frontier. All of us had crushes on Annette Funicello. Kids growing up in California were living on a different planet from us. American radio is in a deplorable state today. I find it
almost unlistenable.
Huge corporations have gobbled up many stations. Programming and news
lack
local flavor. It's all a cookie cutter format and dull as
possible.
All of the news and talk shows have the same tired political
slant.
Almost no new talent is being developed. Modern radio
"personalities"
go out of their way to copy the examples of the big boys in talk
radio.
There is a sameness and dullness that is sad across the dial.
"Canned"
programs are heard in numerous markets at the same time. Where
once
you could turn on the radio at 2 A.M. and get emergency weather
info
from a local voice, today you can find nothing even vaguely
local.
True, Coast To Coast with George Nory and Art Bell operate in the best
tradition
of Boston's Larry Glick on WBZ but they are on numerous smaller
stations
and cancel out local talent from being developed. The Oldies Rock
format has kept some of the legends before the mike but that too is
fading
as they age and retire. Local news reporting is a vague shadow of
its former self. Canadian radio is still holding out for the old higher
standards. Q107 in Calgary, Alberta has an intriguing mix of quality
personalities, strong local news and a formidable classic rock play
list. Light 92 FM in Regina, Saskatchewan is also good.
CHQT in Edmonton, Alberta (880 AM) is an excellent Oldies format and
has good personalities and news. CFRB in Toronto and CHML in Hamilton,
Ontario are excellent talk stations. In the US there are still a few bright spots. KGO in San
Francisco is mentioned above. It's talk radio with balance.
Topics are actually explored. WGRR in Cincinnati has a good
Oldies play list and interesting personalities. WDBZ in the same
city is talk radio with a balanced urban/minority agenda. Nothing
else in that city that once WAS radio in America is listenable—trite
boring personalities and unimaginative programs are the model for much
of the country. |